Born in WenZhou, ZheJiang Province, China in 1996.
Graduated from the department of commercial photography, school of photography, Beijing Film Academy in 2018 followed by an MA Photography, Royal College of Art, London.
Born in WenZhou, ZheJiang Province, China in 1996.
Graduated from the department of commercial photography, school of photography, Beijing Film Academy in 2018 followed by an MA Photography, Royal College of Art, London.
I use photography as my main expression to respond to the universe; further considered and articulated through my installations. My concerns question humans in relation to varied environments, and why they choose to act and behave absurdly. It is my understanding that absurdity is a gap between the ideal and reality. My work questions the absurdity of Chinese cultural beliefs. The absurd belief in 1970’s China that males who were sole income earners, whilst completely forgetting about the daily repetitive jobs housewives lived, were considered the main contributors. It is also absurd that those who eat wild animals, caused a global pandemic. It is incredibly absurd that when facing rapidly increasing numbers of infected people, the government would act slowly. In my limited capabilities, my work highlights the very question of absurdity. It is an ongoing investigation in my practice, similar to the efforts made by Sisyphus.
Humans, in order to build their own paradise for meeting their desires, are losing their nature-paradise gradually at same time.
What's the position of humans in the nature draws my attention during the pandemic time. The majority think the virus comes from wild animals as we kill and eat them.
The killing character of humans reminds me of a dream of Tarrous from the novel 'The Plague' by Camus, which could conclude 'not being a killing or death penalty man, not even indirect.'
Because of the killing character, in other words, we are similar to the plague to nature. When humans destroy the environment, nature uses a virus for defence and to strive for more time to cure the scar.
This is a war without blood but still an attack and self-therapy between nature and humans. Generally, it seems a conflict between nature and humans on surface. However, going deeper, it is a contradiction among people. For instance, the greed for assets, the desire for power as well as possessions. Therefore, the pandemic also is a mirror to reflect defects and the sickness of the human, which could suggest we may experience a chronic suicide due to our depraved characters.
“Red cover” is a traditional symbol that women need to wear it when they marry and men reveal the cover until women stay with men in their first night. The “red cover” seems not only to represent womens marriage to men, but it also is like a cage that locks up married women into family, which causes an unequal position between men and women in traditional Chinese family. Because my gender is male, I thought I didn't have enough right to talk about this issue. Hence, I try to learn sewing. Technically, I use threads to sew women’s face to express concept of ‘hidden’ and feeling housewives' repetitive and boring works, then I welded the iron frame which symbolises the power of men to cage them.