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Knit

Rosalba Fucci

Rosalba Fucci is an award-winning RCA MA Textiles graduate specialised in knitwear design and currently based in Milan, Italy. After completing a Fashion BA at Politecnico di Milano, where she developed her graduation project in collaboration with Loro Piana, she gained valuable professional experience in the Italian fashion industry. 

Rosalba is a conceptual technical thinker: she likes to challenge the technical aspects of knitting to create innovative and refined wearable pieces. In each project she focuses on a specific structure and its properties, discovering unexpected applications and using them as opportunities for conceptual development. Combining strong theoretical research with advanced fabric experimentation she strives to achieve smart and imaginative results. 


Awards:

Loro Piana Knit Game 2017

Frankfurtstyleaward 2017 (3rd place)

Masters Dissertation Awarded with Distinction “Decolonising Sustainable Fashion - Questioning sustainable fashion through the study of its aesthetic ” (2020)

Worshipful Company of Framework Knitters Award 2020

Shima Seiki Student Competition 2021

Rosalba Fucci

RE-SHAPE

Knit-a-morphosis

Why can’t the wearer reshape, modify, and generally engage with the garment instead of passively adapt to it? 

Why can’t clothes be marked by the body who wears them instead of always being the ones leaving marks

Knit-a-morphosis is a knitwear collection composed of one-of-a-kind pieces that can be worn as they are but, through an interaction with the wearer, can also irreversibly change in colour, shape, and volume, becoming more complex and exciting to wear. This is possible thanks to an innovative combination of knitting structures that informs the construction and silhouette of the garments directly and fully on the knitting machine and makes the fabric interactive, transformable, and customisable. Through a process of self-liberation of the wearer, these pieces develop taking up more space, in response to a body that asks for more awareness to the clothes it is put in relation with. 

Knit-a-morphosis Video — Fashion Performance

This fashion performance video follows the transformation of the garments composing the collection. Their metamorphosis is compared to the one from caterpillar to butterfly: the alternation of frames between the two evolutionary processes highlights their similarities, and is accompanied by the verses from Ovid's Metamorphoses Introduction.

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BLOOM Dress before transformation
BLOOM Dress before transformation
CURVE Top and RIPPLE Pants before and after transformation
CURVE Top and RIPPLE Pants before and after transformation
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SWELL Top and SWING Skirt before and after transformation
SWELL Top and SWING Skirt before and after transformation
SPREAD Top and FLARE Skirt before and after transformation
SPREAD Top and FLARE Skirt before and after transformation
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FAN Dress before and after transformation
FAN Dress before and after transformation

Knit-a-morphosis is a knitwear collection composed of one-of-a-kind pieces that can be worn as they are but, through an interaction with the wearer, can also irreversibly change in colour, shape, and volume, becoming more complex and exciting to wear.

Some of the garments were produced in collaboration with:

Shima Seiki Italy and Loop Studio London



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Fabric interaction experiments
Fabric interaction experiments — Colur changing, texture changing, volume changing, density changing.
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This innovative combination of knitted structures is realized fully on the knitting machine, without the need for any additional process from cast on to cast off, and makes the fabric become interactive, transformable and customisable. After a thread has been removed, the fabric can be pulled and consequently "opens", making the area change in density, volume, colour and/or texture.

Swell, Fan, Flare, Swing
Swell, Fan, Flare, Swing — Structures from left to right.
Curve
Curve — Structural sample.

As can be seen in the structures above, the alteration is not simply decorative, but can also be applied to the actual shape of the piece. This allows to have different potential outcomes from one knitted fabric: this is how the technique becomes the tool to achieve curves and tridimensional shapes, reducing the need for fully-fashioning and therefore simplifying production.

Worshipful Company of Framework Knitters

Copley Marshall yarns