Jie Hu

If we are about to immerse ourselves in a “comfortable trap", how can we distinguish between the sense of security and the sense of crisis in a quiet or noisy environment? Due to the pressure and uncertainty about the future, we sometimes feel unprotected, even when we’re enjoying something and feel that we are still in a comfortable but dangerous environment. 

I was knitting the comfortable trap in my mind like a painting, building a dangerous trap and space that someone can escape or relax in at any time. By transforming the behaviour of dressing, into the act of immersing in a contradictory private space, I am trying to make the wearer and myself better distinguish the boundary between the sense of security and crisis. This is a story about finding a comfortable trap and gradually accepting its disappearance. 

If no measurements are taken, she turns into a little creature resting in a comfortable cyclic space. When the collapse finally begins and the last exit is about to disappear, she remembers that someone has wandered repeatedly into a harmless trap, waiting for hints from unreasonable details. She is trying to hide her true thoughts, but it is a secret that's about to be revealed.