Recently I was invited to participate in the RCA Vice-Chancellor’s Talks series. Maybe as a consequence of that I have found myself reflecting on what was understood by the word ‘fashion’ when I graduated in 1987, and what it means now. Back then, fashion was quite simply understood to be the application of design to clothing. And so fashion students produced collections of things to be worn, clothes and accessories, and that was that. I think it would be fair to say that not much thought was given to whether the subject might have intellectual possibilities, not at least until the late nineties when ‘fashion theory’ started to be a thing.

With its aim of a ‘disruptive critical approach’, the RCA fashion MA programme has taken a quantum leap in the understanding of the subject. Even in the distant days of the 80s, those of us who practised it knew there was a kind of magic fairy dust that elevated a well designed object to the status of fashion. We also had a hunch that it wasn’t restricted to clothes too, though it was hard to find an architect who would admit that buildings were subject to fashion. How gratifying it is then to read the words of this year’s graduate Dimitris Karagiannakis, ‘fashion can be found in any object, movement and feeling’.

We knew it all along, but here’s the confirmation; fashion is a fundamental aspect of human social behaviour. This year’s graduates give us a glimpse of fashion’s vast scope and scale. From a collection with an aesthetic that chimes perfectly with the zeitgeist, to a mind- blowing manifesto for human, and post-human life. Fashion is everywhere, and it’s everything.