Higher States of Consciousness
Multidimensionality and multiplicity are at the core of the practice of a new generation of artists that have grown up with the internet. For these young artists, whose lives and education situates them globally, other spatio-temporal arrangements beyond the linear time of progress are not only possible but already in existence. The world transformed into an ever-expanding network structure of production and distribution of information is paralleled by overlapping dimensions and timeframes of possibility. The limitless speed and growth of a world-as-information represented by the aggregation and concatenation of bits feels incommensurable with the experience of a deeper, immanently connected sense of joy, intimacy and hapiticality they locate in our digital realities. This collection shows perspectives from a future after post-internet, where spirituality, ritual, and connectedness are not disappearing functions in a world-as-information, but embodied, accountable and conscious manifestations that already exist and can thrive online. As such, the artists introduce complex questions of what it means to relate to the internet differently, fostering possibilities and potential in an otherwise ubiquitous matrix of hopelessness. In higher states of consciousness, the works speak of worlds where identity is multifarious, politics are polyvocal and poetics drive connections between information, human and machine.
Sofia Lemos
Sofia Lemos is a curator and writer. She is Curator at TBA21 - Thyssen-Bornemisza Art Contemporary. From 2018-2021, she was Curator of Public Programmes and Research at Nottingham Contemporary, where she led the partnership between the University of Nottingham and Nottingham Trent University and initiated numerous collaborative research programmes, including the multi-platform commission series Sonic Continuum (2020-ongoing). Recently, Lemos was Associate Curator Public Programmes to the 2nd Riga International Biennial of Contemporary Art – RIBOCA (2020). Her writings on contemporary art and culture have featured in publications such as Art Agenda, Document Journal, Spike, and MOUSSE as well as in several catalogues and monographs. She is editor of Sonic Continuum: On the Sound and Poetics of Time (forthcoming, 2021), Associate Editor of The Contemporary Journal and recently co-edited the reader METABOLIC RIFTS (Atlas Projectos, 2019), and a monograph Musa paradisiaca: Views on Misunderstanding (Bom Dia Books, 2018).