Zhonghua is an observer in the dystopian spectacle of China’s post hyper-globalization social landscape. Growing up in a big economic era, he creates realistic art as an idealist in the midst of changes and conflicts in perception.
In addition to this, he applies a sociological mindset to fashion to see it as “the art of the possible”. By reflecting on his own life experiences, he argues that it is not only the system that determines the shape of life, but also the market, society and each individual.
Fashion for example, masks the traces of participation in the processes of manufacture. His work discusses the ‘disappearing process’ in the industry to redefine structures, empowering workers and marginalising participants.