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Painting (MA)

Yon Yi Sohn

Originally from Seoul, Yon Yi studied journalism in the US and worked in marketing and communication fields for many years in Hong Kong before taking up her earlier interests in drawing and painting. She studied Art and Design at Hong Kong University, enrolled in painting courses at the RMIT University, and then eventually completed a BFA at Massey University in Wellington, after her family moved to New Zealand in the mid-2000s. During her final year at Massey, Yon Yi won the 2013 Europe Day art competition sponsored by the European Union in New Zealand, and her drawing was selected as one of the finalists for the 2013 Parkin Drawing Competition. After graduating, Yon Yi continued her practice at the Toi Pōneke arts studio in Wellington and has participated in several New Zealand Art Shows. Her works are now in private collections throughout New Zealand.

 

Yon Yi now lives in London, where she is undertaking to complete the MA Painting course at the Royal College of Art.

 

Yon Yi holds a MA in Journalism from University of Missouri-Columbia in the US, and a BA in English from Korea University in South Korea. She also holds a Diploma in International Advertising from the International Advertising Association from New York.

Degree Details

School of Arts & Humanities

Painting (MA)
Yon Yi Sohn

My focus is on system, control, and authorship. I explore these concepts through geometric abstract forms and colour placement, with the media of painting, drawing, and installation.

 

I start my work with a certain system while remaining flexible enough to respond to the way the images develop throughout the process. I add thin layers of grey until certain patterns emerge, then add subtle colours in shapes or in lines. Grey presents equilibrium and variety at the same time. It is subtle, yet complex; quiet, yet thrilling; opening opportunities for unexpected and emotional transformations.

 

The notion of authorship, to me, is related to the autonomy of the work—relationships between the teller of the tale and tale itself being told. Freedom within the self-imposed rules and systems.

 

Through these patterns and colours, I try to achieve the sense of balance: of numbers and forms; of mathematical beauty; and of geometric elegance. Sometimes, there is within my lines and shapes something which is reminiscent of the natural world, loosely connecting the abstract to reality.

 

I consider my practice more like a daily ritual, close to zen meditation exercise (mixing colours and applying them repeatedly, almost mechanically) or even a zen dialogue—often I find myself questioning and responding in turn with the work.

 

This process, in theory, could be never-ending. While the goal may be to reach a state of aesthetical sublime where process and images are reciprocal, it is the journey there which matters to me.

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Medium:

"Free Fall," acrylic on canvas, oil pastels on plaster board wall

Size:

90x 180cm each (paintings), 180x 60cm each (drawings)
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The material for this work and method of image making called Jogakbo, which means patchworks in Korean, come from Korea, and both are held dearly in my memory as part of the needlework profession my mother undertook to support our family as a single parent. I chipped slowly away at this work while in lockdown. At home, away from my studio, and all around the globe, I felt those thoughts and emotions of the pandemic feeding into my practice – coping, waiting, anticipating, like flowers during winter. 

Medium:

"Winter Flowers," handsewing polyester threads with ramie fabric, polyester threads with solid brass nails on plaster board wall

Size:

63x 104 cm each (embroidery), 126x 208 cm each (drawings)
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I rediscovered the joy of drawing simple lines, and of observing and participating in the way the lines interact and correspond. I learnt to leave room for improvisation along the way, and to take things on a spontaneous decision. I try to be receptive and to be open-minded, ready to be surprised by the way the works develop and reveal themselves.  

Medium:

"Refraction," acrylic on canvas, oil pastels on plaster board wall

Size:

150x 150x 12 cm (painting), 150x 150 cm each (drawings)
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I usually paint or draw to classical music, as I believe the system and logic in the composition, the harmonies, themes and variations, and the repetitions of classical music help the systematic development of my works. This systematic music which accompanies my practice, the zen-like emotional state I must achieve to produce it, and the subtle gridwork of my art, are all linked and acting upon each other in a synesthetic relationship.

Medium:

"Shadows of Stream," "Moonlights," acrylic on canvas

Size:

180x 60 cm each, 50x 50cm each
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Medium:

"Shadows of Stream," acrylic on canvas, oil pastels on plaster board wall

Size:

180x 60 cm each (paintings), 180x 60 cm each (wall drawings)
My studio. My castle.
My studio. My castle.