Tonderai Prince Maboreke
About
Tonderai Prince Maboreke's research explores the intersection between architecture, metabolism, infrastructure, and engineering strategies to interrogate themes of environmental capitalism and geopolitics. A recipient of the AIA UK Student Award (2016), OUT Scholarship (2018), and the Carpenters' Company Bursary (2020), Tonderai has experience in both architecture and engineering practices in Taiwan and the UK. Eager to continue exploring opportunities around the world, this experience fostered his interest in culture, time and space. His first-year design project, “The Right to Breathe,” explored the relationship between Industrial Capitalism, Environmental Politics and Metabolism by addressing the problems of “sick building syndrome” within caravans often used by marginalised gypsies and travellers. The project was selected in the top 3 jury selection of The Design Film Festival (2020).
This year, as part of ADS7, Tonderai explored the “Phenomena of the Red River” surrounding the recent Norilsk Oil spill in the Siberian Arctic. Speculating on future metabolic states and remediation infrastructures, this project sees Tonderai positioning himself, as architect, as both a mediator and an instigator, between the public and political elite.
After completing his studies at the Royal College of Art, Tonderai aims to continue evolving his practice, working on projects of different scales, developing his research into the intersection
Statement
The aestheticisation of oil spills and their viral spreading through the lens of social networks are two phenomena with which we have become all too familiar. The transgression of the bright and beautiful hues of oil slicks, reflecting sunlight, attracts our attention; momentary awe masks the drastic metabolic effects on humans and non-humans. It is the negligence of government officials and businesses that has led to these environmental catastrophes, with little to no concern for their short or long-term effects.
This design proposal responds to an event on the 29th of May 2020, when an oil spill took place in the city of Norilsk, Siberia. Some 21,000 tonnes of diesel leaked into the nearby Ambamaya River, polluting an area of about 180,000 square metres. It revolves around a particular false proverb that layers of oil and water do not mix, leading to false assumptions of potential futures. Political negligence meant officials—including President Vladimir Putin—were only made aware of the spill two days later and publicly, via social media.
The aestheticisation of the oil demonstrates the potential of social media to influence action, with corporations no longer able to escape from the public exposure of social media platforms. The power of social networks presents us with a unique opportunity—to be citizen journalists, and to influence action.
In this proposal, I move between the roles of designer, political activist, lawyer and mediator as an “architectish” in an effort to expand architecture’s potential to influence global systems and policy. By staging an online campaign, forecasting from 50 years into the future metabolic, this project asks: what do speculative futures of aestheticised remediated environments that explore ideas of bioengineered futures look like? Creating a connection between the viral spread of the oil spill through the social networks and the rhizosphere networks of nature, the staging of these interventions through an online campaign is done to provoke political action and environmental strategy implementation. How can an adaptable strategy be created that connects activists on the ground anywhere around the world?
SOCIAL BIG SPILLS
Medium: Video
Norilsk Oil Spill, 29 May 2020
Site: Norilsk, Krasnoyarsk Krai, Russia (69.456460, 87.929419).
Medium: Digital Illustration
METHODOLOGY
The methodology developed to investigate the spill creates an understanding of the extractive processes at a macro scale (Geopolitical), the event of the spill (Hydrological) and the micro scale (Future Metabolic Implications). These interactions, respectively, call for the interrogation of policy, the remediation of infrastructure and future metabolic implications through the targeted utilisation and leveraging of social media networks to spread awareness, applicable to a wide range of current environmental issues. These three scales are often considered separately, however, through social networks, underlying connections and relations can be brought to the fore between corporations, governments, and the public. This developing methodology aims to expose these inherent connections, realising possible moments for intervention, in any oil spill, globally.
GEOPOLITICAL
Medium: Digital Illustration, Animated
HYDROLOGY
This inference of UV light causes light particles to evaporate and the heavy particles to sink, dissolving with the water. The oil slick provides two possible ranges for intervention—above and below the surface. Oil and water, it seems, do mix after all.
Medium: Digital Illustration, Animated
FUTURE METABOLIC: Adopt A Block Campaign
After catastrophic events, we immediately seek out the ability to “fix” or “repair” our environments. A speculation on an answer: the ADOPT A BLOCK Campaign.
Online Networks and Rhizospheric Networks
Volunteer activists on the ground in affected locations around the globe can reach out to get involved in the remediation campaign strategy.
Medium: UX Design, Digital Illustration
FUTURE FORECAST
Forecasting Thirty years in the future: The ADOPT A BLOCK campaign continues to remediate damage to the environment caused by oil spills and prior pollution. Involving activists on the ground and Norilsk Nickel remediation staff, interventions continue in the form of an irrigation canal, and a revived landscape through the harvesting of mushrooms and floating wetland blocks made from mycelium. The campaign interventions, based on forecasted bioengineered futures, provoked changes in the operating policies and procedures of Norilsk Nickel, who now have a transparent emergency response plan based around ADOPT A BLOCK, and are able—and willing—to work together with activists to clean their surrounding environment.
Medium: Digital Illustration
Sponsors
Carpenter's Company Bursary
Website: https://www.carpentersco.com/