Skip to main content
Writing (MA)

Molly Nell Coldicott

Molly Nell Coldicott is an artist and writer. Her background in textiles has taken her around the world in search of its magic, and her writing centres on the interconnectedness of life, relationships, circularity, sustainability, grief, cities, craftsmanship and material.

After graduating from Manchester School of Art in 2016 from the Textiles in Practice programme, she has worked for several home furnishing brands, independent publications and artwork studios. Her career has enabled her to travel extensively throughout Europe, India and America. Each venture has grounded her technical knowledge and has allowed her to develop a comprehensive understanding of the textile design sector. The diverse nature of each of these experiences has opened doors to cities such as New York, Mumbai, and London – igniting her senses, challenging her beyond measure and cementing her love for written and photographic editorial. Her writing has appeared in Arc Magazine, Slope and Montez Press Radio, among others. She is currently working on her first essay collection, Threadbare.

Degree Details

School of Arts & Humanities

Writing (MA)
Molly Nell Coldicott

Threadbare: An Exploration of Textiles through the Lens of Friendship, Sustainability, Circularity and Grief

Textile design is a subject with borders so vast they continually humble me. This project invites the reader to look a little closer at the world of material by taking an autoethnographic approach that spans three main essays:

The first chapter, On Slowness, focuses on the skills that I learnt from my late mother during my childhood summers. It explores topics that meander through natural dyeing and slow craftsmanship and delves into the importance of sharing creative knowledge amongst generations. Throughout these chapters, I have a companion, Katrina Wilde, with me – a fellow textile designer passionately invested in the world of holistic making and natural textile alternatives. 

The second essay, On Toxicity, amplifies textile manufacturing’s darker path by swivelling in-between both the global and the personal as I narrate my experience working for a fabric supplier in Mumbai, ushering a wake-up call like no other. Throughout this piece, I explore the complexities surrounding the synthetic dye markets, and effluent pollution discharged from factories, environmental sacrifice zones, and the human rights abuses that intersect at the heart of the industries production line. 

And finally, the third essay, On Circularity, invites the reader to investigate the concept of circular systems, biomimicry and innovative materials in both the economy and human-centred design practices. By embarking on my journey with cloth, I have uncovered a multitude of options for the future of my industry. Even though the task may seem daunting, this knowledge needs to be disseminated and adopted by a new generation of designers who are fusing their own relationships with fibre.

[untitled]
[untitled]
[untitled]

‘On Slowness’ is the first chapter in the Threadbare collection – it explores several topics that pivot through the world of natural dyeing and slow craftmanship whilst delving into the arguments that surround the importance of sharing creative knowledge between generations.

Medium:

Extract from Chapter One: On Slowness

Size:

4200 words
[untitled]
[untitled]
[untitled]
[untitled]
[untitled]

On Toxicity’ is the second chapter in the Threadbare collection – it explores the complexities that lay at the heart of the textile production lines around the globe, as I narrate my experience working for a fabric supplier in Mumbai, India.

Medium:

Extract from Chapter Two: On Toxicity

Size:

3700 words
[untitled]
[untitled]
[untitled]
[untitled]

‘On Circularity’ is the third chapter in the Threadbare collection – it invites the reader to look at circular systems, biomimicry and the world of sustainable materials in both the economy and human-centred design practices.

Medium:

Extract from Chapter Three: On Circularity

Size:

4800 words
[untitled]
[untitled]
[untitled]

In February 2020, I interviewed acclaimed artist and sculptor Ann Carrington in her beautiful Margate studio – we shared a giggle about her early years as an artist, London’s 80’s squat culture and how she turns unlovable objects into fantastical masterpieces.

Medium:

Extract from interview with Ann Carrington

Size:

3500 words