Liuxi Lin

Liuxi Lin featured image

About

Originally from Chengdu, China. I am continuing my education at the RCA, specializing in Interior Reuse. Before joining the RCA, I worked for several years as a designer.

I’m obsessed by the combining of both spiritual quality and architectural rigor. I want to emphasize on environments that are tectonically innovative and are formulated through adaptive reuse. To understate or explain my architecture, I must again run through things and impressions, must again describe them, or find a way to do so.

  “Change” is what I will always discover through studying, working and living , It’s about the processes of becoming and transformation.

Statement

What matters in a home is not its physical shapes, but events that happen there. It is the action of moments, people involved in them and particular possessions and situations, which make the memory of lives. Cooking, resting,bathing ,loving, working ,playing...The rush of trains, the rusting of iron, the flowering of roses, the heat of summer day.

This is depot,  It's all about possessions and memories.

Depot : An overview

A place where possessions and memories can be deposited.

Depot : Reuse / What's behind the door

Depot : Domestic imaginary / Possessions and memories

Depot : The context / Can memories be deposited

Depot : A journey

Depot has 3 possession towers, 16 possession cells (dwelling space ) and a open market which is also a new street, a front gate and back gate as well.

Tower is where inhabitants could share and exchange ,hold and display different types and sizes of possessions and memories; possession cells are symbols of our identities, habits, daily practice, solitary pursuit of authorship, monkery, craftsmanship, etc,.

Depot : What happens here