Deming Huang

b. 1994, Hainan Island, China

Lives and works in London, UK

The sculptural connections in the mise-en-scène.

The psychoanalysis game diagnoses everyday objects.

The emblematic accumulation of the body and its surroundings.

The subtitles that flow through turn into delirious heraldry in a moving image.

Sometimes bio-sculptures, sometimes queer persona, and all-time storyteller for speculative poetics. Night vision camera. Invigilate, guarantee, curiosity, exposure, gaze and close up. The hunting of ephemeral moments and anonymous materials in cinematic experiments, and the new imaginative space can be born through sympoietic assemblies and resonant collective experience. They poetically manifest the ghosts of care in object/s: self-care and care for the erased.