Deepika is a researcher, writer, and budding cultural manager, with feet in India (hopefully soon in London/ Europe!) and arms around the world. Professionally, she is trained as a design historian from The Royal College of Art, and interior designer from the Centre for Environment Planning and Technology (C.E.P.T. University) in Ahmedabad, India. Her work profile lies at the crossroads of arts & culture project coordination, design journalism, and fiction writing.
As an arts & culture project coordinator, the two questions which most intrigue her are - how to engage new audiences and how to create new financial models to increase profitability of the culture sector? As a design journalist, she is keen to write about design through the lens of a social scientist, and focus on presenting design as a relationship between people, communities, societies, and societal structures. As a writer of fiction, she hopes to reflect on how people navigate their everyday life through social issues.
Over the last year, she has been a part of some panel discussions and talks as well. In March of this year, she gave a talk as an early career expert in heritage and design, as part of the ‘Great Minds in Heritage & Historic Houses’ series organised by Centre for Historic Houses, O.P. Jindal Global University in India, which had speakers from cultural institutions around the globe such as the V&A, Sotheby’s, Smithsonian etc. She was also one of the panelists in ‘Mapping the Hostile Environment in Higher Arts Education in the UK’, an initiative organised by Cypher Billboard, London, to develop a billboard poster which highlights the issues faced by international students pursuing the arts in the UK. For RCA2021, She is chairing a live panel discussion on ‘Digital (Dis)comforts: The future of material practices?’, with Suhair Khan, Strategy Lead, Google & Google Arts & Culture, and Kay Watson, Head of Arts Technologies, the Serpentine Galleries, as panelists.